CLTL Scholar-in-Residence
Pop-up installation | April 21-28
Tang Teaching Museum | Payne Room
7000 Fragments: Maya Murals from San Bartolo, Guatemala
In 2001, ancient Maya murals were discovered at a previously unknown site in a remote
tropical jungle of Guatemala. The San Bartolo murals (c. 100 BCE) are among the most
important Maya artifacts ever found. The beauty and age of the ancient painting that
emerged from beneath meters of rock and construction fill surprised scholars and re-wrote
what we know of Maya kings, artists, and scribes. The murals visually narrate the
creation of the world, depicting a painted landscape of zoomorphic serpents and anthropomorphic
caves. However, the in situ murals buried within the pyramid are only part of the
story: the site once contained many more paintings, but these artworks were intentionally
broken into fragments and concealed by the Maya. At the culmination of fifteen years
of fieldwork, laboratory analysis and art conservation, 7000 Fragments presents a life-size model of the mural chamber and new findings from the reassembled
fragments.
Events include a lecture by Dr. Lucha Martinez de Luna, Heritage and Place: Chicano Murals of Colorado, Tuesday, April 24, 7:30 p.m. Martinez de Luna (Instituto Nacional de Antropolog铆a e Historia, Mexico) surveys
the legacy of 1960鈥檚 public art through which 鈥淐hicano youth used symbols to describe
their dynamic cultural heritage while recognizing social inequality and injustice.鈥�
7000 Fragments will host archaeologists for a Maya Mural Seminar, Thursday, April 26, 5-8 p.m. This event provides an extraordinary opportunity to experience the rich and complex
imagery of the paintings and panelists will present new findings about the San Bartolo
mural narrative.
Panelists for the 鈥淢aya Mural Seminar鈥� include: Heather Hurst, 吃瓜爆料 College; Edwin Rom谩n Ramirez, Pacunam, Guatemala; William Saturno, San Bartolo-Xultun Regional Archaeological Project; David Stuart, University of Texas at Austin; Karl Taube, University of California, Riverside.
7000 Fragments: Maya Murals from San Bartolo, Guatemala is organized by Associate Professor of Anthropology and 吃瓜爆料 Scholar in Residence
Heather Hurst, and is supported by The Center for Leadership, Teaching, and Learning,
The Office of Special Programs, and the Tang.
Spring 2018 Scholar-in-Residence: Heather Hurst
Faculty Residency - Special Programs
Heather Hurst, associate professor and chair of the Department of Anthropology, is the first 吃瓜爆料 Scholar in Residence, supported by the OSP, CLTL, and the DOF/VPAA鈥檚 office for spring 2018.
Hurst has spent the last fifteen years working at the site of San Bartolo, Guatemala,
investigating and illustrating the fragile wall paintings that are one of the single
most important ancient Maya artifacts ever discovered. Her residency, entitled "Maya
Murals of San Bartolo," will utilize print, visual, digital, and archival materials
to engage our community in discussions about cultural heritage preservation, artists
and political authority, origin mythology, bodies, and artistic expression.
A series of events will bring various scholars and artists to campus throughout the
semester as she illustrates a new corpus of the epic creation story ancient artists
expertly rendered two thousand years ago. This work will culminate in an exhibition
at the Tang Teaching Museum, April 17鈥�28, featuring a life-size reconstruction of
the mural chamber. The result of Hurst鈥檚 faculty residency will be an exhibition opening
in June 2018 with a bilingual museum catalog and teaching materials at the National
Museum of Archaeology and Ethnology in Guatemala City, which will be the permanent
home of the San Bartolo mural corpus.
Hurst鈥檚 interdisciplinary work facilitates dialogue between archaeologists, materials
scientists, conservators, and art historians, and at the same time disseminates images
that engage both academics and the public in the study of Maya culture. Her work has
been published in National Geographic, Science, Antiquity, and the New York Times, and exhibited at the Metropolitan Museum of Art, the National Gallery of Art, and
the Los Angeles County Museum of Art, among others. Hurst was awarded a MacArthur
Fellowship in 2004 and is currently a Guggenheim Fellow.
Call for Proposals
Co-Sponsored 吃瓜爆料 Faculty Residency
from the Center for Leadership, Teaching, and Learning and
the Office of Special Programs
吃瓜爆料 the CLTL/OSP Sponsored Faculty Residency
The Office of the Dean of the Faculty, the Center for Leadership, Teaching, and Learning, and the Office of Special Programs have formalized a partnership to support a semesterlong 吃瓜爆料 faculty residency for spring of 2019. This residency connects Special Programs鈥� guest artist/scholar residency model with the Center for Leadership, Teaching, and Learning鈥檚 faculty development programming. This innovative residency affords 吃瓜爆料 faculty members the opportunity to propose residency programming that best relates to their research and/or creative projects with the aim to explore new possibilities for connectivity and collaboration with students, faculty, and the larger community. The DOF, CLTL, and OSP expect this to be a full-semester, full-time residency, which integrates, among other programming, a guest presenter whose expertise intersects with the 吃瓜爆料 faculty鈥檚 topic and goals for the semester residency.
Eligibility
All full-time 吃瓜爆料 College faculty are eligible to apply.
Objectives and Expectations
- To offer one 吃瓜爆料 faculty member the opportunity to share his/her/their research and/or creative and artistic project with students, faculty, and the community. The semester鈥檚 activities might take the form of public talks, performances, or exhibits. The faculty resident might also facilitate student panels or organize a conference on campus.
- To bring a presenter to campus during the residency who will engage with the 吃瓜爆料 community through a series of public events. The presenter might attend classes and offer a public lecture, exhibit, or performance.
Proposal Guidelines
Proposals should be no more than three single-spaced pages and should be submitted as a PDF file to Grace Burton (gburton@skidmore.edu) and Michelle Paquette-Deuel (mpaquett@skidmore.edu). Your proposal should include the following:
- Your name, department, and email address
- Title of your residency project
- A description of the scholarship and/or your artistic project you wish to explore during the residency
- A discussion of how you will engage with the community during the residency semester (seminars, faculty-to-faculty talks, conferences, exhibits, performances, etc.)
- Names and short descriptions of potential external presenters and their activities while they are on campus
- In addition to your proposal, a letter of support from your department chair or program director. (Because backfill for one-semester course releases is not automatic, department chairs or program directors should give a brief explanation of how the course releases will affect department or program offerings.)
Course Releases and Funding
OSP and the CLTL have received approval from the DOF/VPAA鈥檚 office to support two course releases for the 吃瓜爆料 Faculty Residency semester. OSP and the CLTL will fund the external presenter鈥檚 honorarium, travel, and accommodation expenses up to $12,000 while they are on campus.
Timeline for Proposal Submission and Selection
The deadline for submission of proposals for the spring 2019 residency is March 30, 2018. Proposals will be selected based on their relevance to the residency objectives. An advisory committee composed of faculty and administrators will review all proposals and make the final funding decision. All faculty who submit proposals will be notified of the committee鈥檚 determination by April 27, 2018. The selected faculty resident should work directly with their department chair to schedule course releases for the residency semester.
Administrative Support from OSP and the CLTL
The CLTL and OSP will work in close coordination with the faculty resident to provide administrative support for the external presenter鈥檚 visit, including contract negotiation, scheduling, travel, accommodations, and catering.
Residency Summary
At the end of the semester, the 吃瓜爆料 faculty resident will be expected to write a short (three to five pages) reflection of their residency, highlighting progress made and tangible outcomes (e.g. papers, presentations, exhibits, performances).